I have always had a softspot for the 50mm focal length, since the lens that started me off in photography was a 50mm lens on a mechanical camera for 35mm film. Since most afforadable DSLR have crop factors of 1.5x like my D200, the closest I can get in angle of view would be the Nikon 35mm F2, although it would result in a slightly different perspective. I did a photoshoot with both the Nikon 35mm F2 and the Nikon 50mm F1.4 and I am glad to say that this lens is a solid performer too. It does not have to feel embarassed in the company of its more well known brother. Included in the Nikon 35mm F2 shots are the usual window front and side lightings, and the slightly more difficult backlit shots. Some of the backlit shots exhibit slightly greenish flare, but not that much to distract from the main subject. Its flare resistant and contrast is quite exceptional considering I was shooting backlit subjects at aperture F2.8 straight into the light, without a lens hood. Here are some sample pictures from today's shoot. Believe it or not, all these were shot at a stairway! Cheers!
I am a photo hobbyist, mainly into portraiture. Not surprisingly, I love the varying creamy bokeh effects that isolate my subjects from the background. I would like to share some of my images for your viewing pleasure. The experience and thoughts I share here are of my own subjective opinion only. I do TFCD and Paid photoshoots. All photos are copyright of the photographer, and may not be used without written permission.
Excerpts from "Nikkormat Photography Guide: Portraits"
Portraiture is not easy. It tests not only your photographic technique and creative, interpretative talents but also your ability to handle people. But like genuine works of art, good portraits never tire the viewer.
As most people have camera fright and will stiffen or assume unnatural poses when the camera is brought very close to them, especially indoors, put them at ease. Gain their confidence and talk to them as you suggest different poses or expressions or readjust the photographic equipment.
Since the eyes and mouth are great revealers of character, concentrate on them. The hands, too, are often expressive of personality. And when the subject is both mentally and physically at ease and you think you've got the right mood and emotion typical of the subject, shoot.
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